Or the app could use the info it gathers from the in point and the go back and apply that to the first couple seconds. The app can take as much pre roll of each clip that it needs to make it clean at the in point of the clip on the timeline. There should be no unaffected audio because you are not exporting out live to tape (an assumption). Maybe there was (it was loud).Īt the very least when the finished piece is exported out the affect should be clean. I saw the demo at NAB and I don't recall there being any two second buffer period in which the affect was not working when they played the clip on the timeline. That was the WHOLE PURPOSE of introducing the Essential Sound tab in Premiere. But every time I use Audition I just end up with a mess of files and clips and extra sequences. I also understand that you can do this in Audition. But once you've got it where you want it you should be able to render in out with clean audio from in point to out point of every clip the affect is used on. I understand that the initial tweaking of the affect has to be done in real time and that there is no way around having a couple seconds of delay before the affect is heard.

99 percent of the time the audio clips exist I work with have more than enough heads (unused) at the beginning of the clips to do whatever needs to be done. I'll gladly live with a couple minutes of rendering in order to have clean audio. My point is that the app should be able to analyze the cut audio clips on the timeline and render those so that there isn't any un-affected noise at the edit point of every audio clip.

I understand the concept of adaptive noise reduction.

Denoiser 3 after effects